Scott Keightley

La fille aux cheveux de lin in Trembling Grounds: Push-Pull Practice, curated by Rui Jiang.

La fille aux cheveux de lin in Trembling Grounds: Push-Pull Practice, curated by Rui Jiang, at Area 405.

Spaghetti Junction 2, 2024. Wood and aluminum.

Emergency Worker, 2024.

Emergency Worker (main text.) Digital offset on uncoated paper, thread. 80 pages. 11 x 8 1/2 inches. ISBN: 9798218388461 Photos courtesy april april https://aprilapril.gallery/publications

Emergency Worker. Digital offset on uncoated paper, thread. 80 pages. 11 x 8 1/2 inches. ISBN: 9798218388461

Available at april april and KAJE.

Emergency Worker, 2024. @ KAJE.

Taste of Grass, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

Big Head: Dream Machine, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

NIGHT WORK AHEAD, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

Backpacks Made of Air, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

The Witch O' Th' Windowsill, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

Cloud Kingdom, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

Savage From Dreaming, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

The Worsening Weather, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

Sweating as They Disappeared, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

The Birds All Sing Like Lemonade, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

Sparks and Spermoza, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

Fog After Midnight, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

A River at Night Where the Moon Hangs Not From Above in The Sky But Glows From Below, Under the Water Shining up, So That the Slippery Shadows of Fish Swim Across the Moonlit Clouds, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

Microscopic Eyes, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

Morphine, 2024. Watercolor, pastel, ink, graphite and ink jet print on Xerox paper, reverse UV print on glass, natural maple frame.

Hydrangea, 2024. Folding chair, chandelier glass and finials, hardware, in "1,000,000,000 – 4,000,000,000" at Hawkins HQ

Hydrangea, 2024. Folding chair, chandelier glass and finials, hardware.

Hydrangea, 2024. Folding chair, chandelier glass and finials, hardware.

Hydrangea, 2024. Folding chair, chandelier glass and finials, hardware.

Hydrangea, 2024. Folding chair, chandelier glass and finials, hardware, and Delphinium, 2024. Music stand, UV printed ACM substrates, chandelier glass, finials, stand light. @ Hawkins HQ.

Delphinium, 2024. Music stand, UV printed ACM substrates, chandelier glass, finials, stand light.

Hydrangea, 2024. Folding chair, chandelier glass and finials, hardware, and Delphinium, 2024. Music stand, UV printed ACM substrates, chandelier glass, finials, stand light.

'Vampire-Junkie' curated by Blue Marcus at Rose Easton, London UK.

Amid a Place of Stone, 2021. In 'Vampire-Junkie' curated by Blue Marcus at Rose Easton, London UK.

Amid a Place of Stone, 2021, in 'Vampire-Junkie' curated by Blue Marcus at Rose Easton, London UK.

Amid a Place of Stone, 2021, in 'Vampire-Junkie' curated by Blue Marcus at Rose Easton, London UK.

Amid a Place of Stone (detail), 2021.

Quintet, 2021.

Quintet, 2021.

Quintet, 2021.

Quintet (detail), 2021.

Spaghetti Junction 2, 2023. Wood and aluminum.

Amid A Place of Stone in A Broad Private Wink, curated by April April at Nicelle Beauchene

La fille aux cheveux de lin in A Broad Private Wink, curated by April April at Nicelle Beauchene

2023

'Burning the Wheel of the Year' at HiLo Press curated by Species_ATL

"hilo press" "species_ATL" "Burning the wheel of the year"

'Burning the Wheel of the Year' at HiLo Press curated by Species_ATL

Spaghetti Junction, 2022. Wood and paper.
In "Burning the Wheel of the Year" curated by Species at HiLo Press, Atlanta.

Spaghetti Junction, 2022. Wood and paper.

Spaghetti Junction, 2022. Wood and paper.
@ Burning the Wheel of the Year, curated by Species at HiLo Press, Atlanta.

Spaghetti Junction, 2022. Wood and paper.
@ Burning the Wheel of the Year, curated by Species, HiLo Press, Atlanta.

Lapsus, 2022. Altered copy of sheet music for Aaron Copland's Appalachian Spring. Laser print on card stock and original sheet music. 65 pages, unique edition.

LOOK AGAIN, curated by Mike Mosby at the Hudson Opera House.

Amid A Place Of Stone, 2020 and Amnesia, 2021.

La fille aux cheveux de lin, 2021 and Rhapsody No.1, 2021. UV print on Manhasset music stands, finials, knobs, LED stand lights.

In Well/Being.

La fille aux cheveux de lin, (Claude Debussy) 2021. UV print on Manhasset music stands, finials, knobs, LED stand lights.

At Well/Being.

Rhapsody No.1 (Jessie Montgomery,) 2021. UV print on Manhasset music stands, finials, knobs, LED stand lights.

At Well/Being.

La fille aux cheveux de lin (detail), 2021, UV print on Manhasset music stand, finials, knobs, LED stand lights.

In Well/Being at the University Art Museum, UAlbany.

Rahpsody No1. (detail) 2021, UV print on Manhasset music stand, finials, knobs, LED stand lights.

In Well/Being at the University Art Museum, UAlbany.

Rhapsody No.1, 2021.

La fille aux cheveux de lin, 2021.

Quintet, (Samuel Coleridge Taylor) 2021. UV print on Manhasset music stands, finials, knobs, LED stand lights.

At Well/Being.

Rhapsody No.1 Variation, 2021. UV print on Manhasset music stands, finials, knobs, LED stand lights.

At Well/Being.

Quintet Variation, 2021. UV print on Manhasset music stands, finials, knobs, LED stand lights.

At Well/Being.

Insomnia, 2021. UV print on Manhassett music stand, finials, knobs, LED stand lights.

Amid a Place of Stone, 2021. UV print on Manhasset music stands, finials, knobs, chandelier crystal, LED stand lights.

At Well/Being.

Amnesia, 2020. Manhasset music stand, hardware, chandelier crystal, finials, stand light.

Rhapsody No.1 Variation, 2021. Digital file.

Superspring with frozen mold. January 2022.

Superspring, 2021.

Superspring, 2021.

Superspring, 2021. (Detail -various industrial and consumer detritus [plastic, metal, various fibers,] bee pollen, gemstones, spores, personal items.)

Superspring, 2021. (Detail -various industrial and consumer detritus [plastic, metal, various fibers,] bee pollen, gemstones, spores, personal items.)

Superspring, 2021.

(Frozen mold, January 2022.)

(Frozen mold, January 2022)

(Frozen mold, January 2022.)

Amnesia, 2020. Music stand, crystal, and hardware.

Andromeda, 2019. Various gemstones arranged according to a star chart of the northern celestial hemisphere.

The Butter is Gone, 2017. Digital c-prints on photo gloss paper (cover of Vanity Fair Mexico, 2017 and Hurrah, Die Butter Ist Alle! photo montage by John Heartfield, 1935.)

Dysthymia, 2019

Industrial surplus (fiber optic equipment used for microprocessor production) bolted to light box (plexiglass, aluminum, led lights,) transparency (digital c-print on Duraclear [Clinique])

Dysthymia, 2019

Industrial surplus (fiber optic equipment used for microprocessor production) bolted to light box (plexiglass, aluminum, led lights,) transparency (digital c-print on Duraclear [Clinique])

Group Show at 90 Green Street

May 24th 2019

Group Show at 90 Green Street

May 24th 2019

Pneumonia 2018. Mercury, ice, crushed aluminum can. @ La Kaje

Untitled (decorative lamp) 2018. shelled flat screen, adhesive vinyl, hardware, etc.

Untitled (decorative lamp) 2018. Samsung flat screen tv, adhesive vinyl, motherboard and LEDs, hardware. @ La Kaje

Untitled (decorative lamp) 2018. Shelled flat screen, adhesive vinyl, hardware. @ La Kaje

Untitled (decorative lamp) 2018. shelled flat screen, adhesive vinyl, hardware, etc. @ La Kaje

Babayaga

Viterra, 2017. Twigs, branches, hay, straw, grass, twine, strings, acrylic paint, pencil, cables, marble, seeds, rocks, broken electronics, zip ties, shells, shoelaces, artificial leaves and flowers, copper, feathers, necklaces, bracelets, yarn, frankincense, twist ties, gold leaf, hardware, holographic bird scare tape, plexiglass, thread, lavender, elastics, plastic spoon, plastic knife, rubber bands, spray painted bird skeleton, kite hardware, perfume bottle, candy wrapper, mirrored & iridescent paper, zipper, padlock, copper wire, violin string, brass hooks, silk, lace, painted wood, plastelina, wooden and plastic beads, hemp string, nylon, label, plastic bags, spring, hair ties, clay, cardboard, cellphone, broken sunglasses, flowers, sketchbook, metal bolt, ceramic tile, wooden pipe, tinfoil, tiny painting, eyeliner, white india ink, paintbrush, shotgun shell, peppermint, hair, photographs, glitter, lavender, plastic test tube, kaleidoscope, sillyband ™, zip drive, balloon, postcards, wireless bluetooth speaker, MP3 file (mourning dove [Zenaida macroura] songs.) @ Hot Mud

Nostalgia, 2016-2017. Copper plated 3D printed Homo Naledi fossil oxidized with Miracle Gro® and red wine vinegar, twig, cable, flowers. 4 ft 9 in height. @ Hot Mud

Nostalgia, 2016-2017. Copper plated 3D printed Homo Naledi fossil oxidized with Miracle Gro® and red wine vinegar, twig, cable, flowers. @ Hot Mud

Hudson, 2017. Angle grinder drawing on copper salvaged from the Allen Street School rooftop in Hudson, NY.

Untitled 2015-2016. iPhone store display media, towel rack, drains. @ ZAX

Response, 2016.

Response, 2016. cables, lights, wires, strobes, electrical hardware, angle grinder, tools, metal racks, iPhone store display media, adhesive vinyl image of Baltimore’s inner harbor in the early morning, projector, pedestal. @ ZAX

Response, 2016.

Response, 2016. Objects used during the filming of Response; cables, LED lights, wires, hard drive, electrical hardware, strobes, angle grinder, various tools, computer, iPhone display media, adhesive vinyl, projector. @ Metropolitan Structures.

Response, 2016.
@ Metropolitan Structures.

Response, 2016. Objects used during the filming of Response; cables, LED lights, wires, electrical hardware, angle grinder, tools, metal racks, iPhone display media, adhesive vinyl image of Baltimore’s inner harbor in the early morning. Projector lent by The Contemporary. @ Metropolitan Structures.

Response, 2016. Projection, strobes, electrical hardware. @ Phil Tomaru's Metropolitan Structures.

Response, 2016.

Link to Structure as the Inmixing of an Otherness prerequetsite to any Subject Whatever on Lacan

@ Phil Tomaru's Metropolitan Structures.

Response was the re-enactment of a Lacanian metaphor -the early morning in Baltimore (as seen by Jacques Lacan through a hotel window in Baltimore's inner harbor) as the unconscious mind. In this work, the metaphor was expanded to encompass the interior of the hotel room, which in Response represented the conscious mind and the body, the "fading spectator" of subjectivity responding to the "in-mixing otherness" of the unconscious mind: the signs, the traffic lights in the early morning. In Lacan's metaphor, street signs are like the "inner-other" of the unconscious, invisibly running the show and structured like a language. "It's like a devil plays a game with your state of awareness" (of the unconscious.) Towards the end of his talk at John Hopkins, Lacan suddenly espouses Jouissance. Translating this word into English is not exactly possible. He points to the inadequate "Enjoy" Coca Cola. A surplus enjoyment, a forbidden joy, an orgasm. Whatever it is, subjectivity begins to fade as we dissapear into everything beyond ourselves.

Summerthing 2016. Sorbet, popsicles, ice cream, plastic, hornets, sprinkles, spores. @ 247365

The Tears That Flow From Laughing Eyes, 2016. Deconstructed kites, eyelets, zipper,
acrylic, hardware, psilocybin mushrooms. At 247365.

Tomorrow Is Already Here (edition) back cover.

Tomorrow is Already Here, 2016. Artists book, unique edition, (Davers board, book binding cloth and papers, card stock, PVA glue, laser printed on cold pressed photo paper) metallic bubble envelope.

Tomorrow is Already Here, 2016. Artists book, edition of 1, (Davers board, book binding cloth and papers, card stock, PVA glue, laser printed on cold pressed photo paper) metallic bubble envelope.

Luftmench 3, 2016. Dead Honda car engine, leaking oil pan, Golden Breasted Pheasant skin, artificial snow.

Luftmench 2016. Dead engine, artificial snow, fabric with various cables and aluminum objects found under the Manhattan Bridge.

"Mimic Octopus" 2016 Drywall torn away to reveal pre-existing drawings.

Luftmench, 2016. Dead engine & pallet, artificial snow, grass.

Tide pool, 2016. Chiseled and repainted floor, Tide Laundry Detergent (pictured with bio-waste from engine) roughly 3 inches deep by 4 square inches wide.